12/20/2023 0 Comments Davinci resolve 17 color grading![]() Plus, for Dolby Vision projects, in recent versions ‘Timeline color space’ effects the iCMU tone mapping. If you set the “timeline color space” to the project’s scene-referred space, like LogC, DaVinci Wide Gamut, or ACEScct then this leaves you with oddball defaults for tagging render exports. The limitation of the ‘Timeline color space’ setting is more obvious if you do node-based color management (as I do). But with color management workflows and features coming front-and-center with the Resolve 17 release cycle, this setting was ripe for an upgrade. This setting governs a lot of default image processing across Resolve’s pages but is rarely actively managed by most users. Resolve has always had a “Timeline color space” setting for unmanaged/YRGB projects (the default). ![]() This gets more confusing if you use Dolby Vision’s internal CMU to tone map HDR projects with different color encodings. Resolve doesn’t know what colorspace to use for its tools or for tagging rendered exports. One of the downsides of using node-based color management has always been having Resolve’s tools being ‘color space blind’. Limitations of node-based color management ![]() But first, let’s setup the problem that being solved. Tutorials / DaVinci Resolve 17.4.5 – Custom YRGB Output Color Spaces A Great New Feature For Node-Based Color Managementīlackmagic recently released Resolve 17.4.5, and even though this is a point release with a lot of bug fixes and small improvements – one new feature is a Big Deal for those working in node-based color management workflows. ![]()
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